Kidderpore,
located on a bend of the Hooghly River as it flows to the Bay of Bengal, owes
its name to three distinct sources. The most enchanting of these three tales is
drawn from the Islamic figure of Al-Khidr or Khizr, the wanderer
who appears as a guide. Before this area became a port suburb, it was inhabited
by boatmen, fishermen and traders … people whose lives / livelihoods were closely
tied to the river tides. Another account links the name ‘Kidderpore’ to Colonel
Robert Kyd (1746–1793), a British East India Company officer who resided in Shalimar
(Howrah), just opposite Kidderpore, where he established the Royal Botanic
Garden. He also possessed land in Kidderpore during the late-18th
century and perhaps the area came to be known as ‘Kyd-pore’ (Kyd’s place) after
him. Finally, ‘Kidderpore’ may also be an Anglicized pronunciation of ‘Kedarpore’
- the Land of Kedar (Shiva) after the historic Bhukailash Temple Complex built
by Raja Joynarayan Ghosal in 1781. The name “Bhukailash” is derived from a ‘Bhu’
(Earth) and ‘Kailash’ (the Abode of Shiva).
Walking through Kidderpore today as part of ‘The Bridgekeeper’s Tale: A Walking Tour’ … my ninth walk with Crosswalks brought together these stories to show how places acquire meaning across the passage of time. Hidden in the labyrinth of Kidderpore, unknown to most people of Kolkata, is a huge temple complex that houses two of the largest Shivalinga in Eastern India. And, visiting this place was my long-time wish ... now fulfilled by Crosswalks!!
The
history of the Bhukailash Temples goes back to mid-18th century
Bengal when the influence of the Nawab of Bengal was declining after the Battle
of Plassey (1757). Taking advantage of the changing power dynamics in Bengal,
wealthy families of Calcutta started engaging themselves in administrative and financial
activities of the British East India Company. Gokul Chandra Ghoshal, who hailed
from such a family, joined the Company as a ‘banian’ (native business
assistant) to Harry Verelst, a Company administrator who later became the Governor
of Bengal (1767–1769). Gokul Ghoshal progressed from his informal advisory
position to a formal administrative post by rendering expert service as a revenue
collector for the Company. He was appointed as the Diwan of Chittagong by Harry
Verelst and served as the chief native revenue officer (1761-64). He grew influential
owing to his connections with Company officials and even gained salt trading rights
despite the Company’s monopoly on salt production and trade in Bengal. While
revising Land Settlement for revenue collection, Ghoshal dispossessed several Zamindars
and seized their land for himself. He consolidated his acquired lands into a
unified Zamindari estate in Kidderpore. The Bhukailash estate was thus formally
established … its name derived from ‘Bhu-Kailash’ - the earthly abode of
Lord Shiva.
Joynarayan Ghoshal, the son of Gokul Ghoshal’s brother, Krishna Chand Ghoshal, inherited the Bhukailash estate and also received the title of ‘Maharaja Bahadur’ from Warren Hastings. He built the Bhukailash Rajbari and the adjacent temple complex in 1781. The complex has two Bengal aatchala-style twin Shiva temples facing each other across an open space adjacent a large lake - the Shiv-Ganga.
Each temple has a triple-arched entrance and enshrines a Shivalinga. On the east of the Shiv-Ganga is the west-facing Raktakamaleshwar Shiva lingam in the name of Joynarayan’s mother and on the west of the Shiv-Ganga is the east-facing Krishnachandreswar in the name of his father Krishna Chandra Ghoshal. The open space between the temples has a black stone statue of Nandi - the bull of Lord Shiva. The foundation plaque of the Raktakamaleshwar Temple says that the temple was built in 1702 Sakabda (1780 A.D). The Krishnachandreswar Temple does not have any such plaque but it may be assumed that it was also built during the same time.

A former head clerk at Kidderpore College, Satya Dilip Ghoshal is adamant that “should we give in to the promoter’s demands and leave, the Rajbari will cease to exist”. His daughter, Antara agrees:
“Once my parents leave, the entire area will be
converted into some sort of illegal construction project. The Rajbari will be
no more. I’ve spent all my formative years there. For me, our house isn’t just
a part of our family’s legacy. It’s also a part of the culture of Kolkata and
Bengali Rajbaris in general. That’s why, even though my parents feel
threatened, we feel they should stand their ground and stay. We want to hang on
to our house at all costs.” (Source)










